八幅 · 二〇一七 8 works · 2017
2017年秋,由在雲南認識的法國友人老鄧接待,從巴黎到中部農莊、南部尼斯與摩納哥港口,二十來天。 Autumn 2017, hosted by Lao Deng, the French friend he had met in Yunnan: from Paris to a farm in the centre, then Nice and the harbour of Monaco, some twenty days.
2015年,我在雲南畫了許多大境寫生,慢慢建立了自己的視覺和藝術感觀。其間認識一位法國友人,我們稱他為「老鄧」,他非常喜歡中國文化。後來2017年秋天我們到了法國寫生,他無償提供了一切便利,比如住宿、開車帶路等。我們從法國的北部巴黎,到中部老鄧的老家農莊,以及南部尼斯,還有摩納哥港口,經歷了20來天的深度寫生,全新的視覺,全新的語境,激活了整個畫面。法國的寫生筆頭開始鬆了,就如法國友人老鄧形容的:周的畫會飛!回國以後,我就一直追着法國的這種筆頭的鬆動往前走。 —— 周波《藝術自述》(2019)
In 2015 I painted many large-vista sketches in Yunnan and slowly built up my own way of seeing. There I met a French friend we call “Lao Deng”, who loves Chinese culture. In the autumn of 2017 we went to France to paint, and he provided everything for nothing: lodging, driving, guiding. From Paris in the north to his family farm in the centre, then Nice in the south and the harbour of Monaco, we spent some twenty days painting in depth. A new way of seeing and a new context brought the whole picture to life. In France my brush began to loosen; as Lao Deng put it, Zhou’s paintings can fly! Since coming home I have kept chasing that looseness of the brush. — Zhou Bo, “Artist’s Statement” (2019)
《塞納河上的巴黎聖母院》 46×34cm 2017年 Notre-Dame over the Seine, 46 × 34 cm, 2017
《巴黎聖母院正午》 34×46cm 2017年 Notre-Dame at Noon, 34 × 46 cm, 2017
《法國中部市政小廣場》 46×34cm 2017年 Small Town Square, Central France, 46 × 34 cm, 2017
《法國鄉村古堡(二)》 34×46cm 2017年 French Country Château (II), 34 × 46 cm, 2017
《法國山村正午》 34×46cm 2017年 Noon in a French Mountain Village, 34 × 46 cm, 2017
《法國尼斯遊艇碼頭》 34×46cm 2017年 Yacht Harbour, Nice, 34 × 46 cm, 2017
《東正教聖尼古拉大教堂》 34×46cm 2017年 St Nicholas Orthodox Cathedral, Nice, 34 × 46 cm, 2017
《摩納哥山頂教堂》 46×34cm 2017年 Hilltop Church, Monaco, 46 × 34 cm, 2017