· 古意山水 Landscapes in the Classical Manner

古意山水 Landscapes in the Classical Manner

九幅 · 二〇一四—二〇二四 9 works · 2014–2024

不對景,從詩和古人的故事裏來的一組。二〇一四年的臨流撫琴、秋溪泛舟、茂林清音同為 44×74cm,是一組;二〇二二年四幅橫幅同為 182×48cm,草堂迎客、赤壁懷古、雪夜訪戴、雪山行旅;另有二〇二四年的松下觀瀑,與小品春水泛舟。

A group painted not from life but out of poetry and old stories. The three works of 2014 share one size, 44 × 74 cm; four long horizontal scrolls of 2022 share another, 182 × 48 cm; with them are a waterfall from 2024 and a small boating scene.

周波不斷從詩詞文賦與傳統文化中汲取着豐富的滋養。這從其書寫的文字與畫中題款便有着最好體現。

—— 張廷波《寫山川而見性情,忘筆墨而有真景》

Zhou Bo draws constant nourishment from classical poetry and prose and from traditional culture; his writings and the inscriptions on his paintings show this best.

— Zhang Tingbo, “Painting Mountains and Rivers to Reveal Temperament”
臨流撫琴圖
《臨流撫琴圖》 44×74cm 二〇一四年 Playing the Qin by the Stream, 44 × 74 cm, 2014
秋溪泛舟圖
《秋溪泛舟圖》 44×74cm 二〇一四年 Boating on an Autumn Stream, 44 × 74 cm, 2014
茂林清音圖
《茂林清音圖》 44×74cm 二〇一四年 Clear Sounds in a Dense Wood, 44 × 74 cm, 2014
草堂迎客圖
《草堂迎客圖》 182×48cm 二〇二二年 Welcoming a Guest at the Thatched Hall, 182 × 48 cm, 2022
赤壁懷古
《赤壁懷古》 182×48cm 二〇二二年 Meditation on the Red Cliff, 182 × 48 cm, 2022
雪夜訪戴
《雪夜訪戴》 182×48cm 二〇二二年 A Snowy Night, Visiting Dai, 182 × 48 cm, 2022
雪山行旅圖
《雪山行旅圖》 182×48cm 二〇二二年 Travellers among Snowy Mountains, 182 × 48 cm, 2022
松下觀瀑圖
《松下觀瀑圖》 48×182cm 二〇二四年 Watching the Waterfall beneath Pines, 48 × 182 cm, 2024
春水泛舟
《春水泛舟》 33×33cm Boating on Spring Waters, 33 × 33 cm