Gallery · Still Life
Acrylic still life: a white classical plaster bust beside a green glass bottle of red berries, a dark jar of paintbrushes, paint tubes on a red book, an apple, all on draped pink and ochre fabric.
About the work

Learning from what exists, imagining what doesn’t yet.

Acrylic on canvas
Still life
Painted from observation

Between Studies and Imagination is an acrylic still-life painting that I created by observing a real arrangement of objects. The composition includes a classical plaster bust, a green glass vase filled with red flowers, books, paintbrushes, and draped fabrics. I was interested in how these objects could work together to create a balanced composition while also representing the relationship between learning and creativity.

The classical bust is the main focal point of the painting. Its pale surface contrasts with the darker green and brown background, making it stand out from the surrounding objects. The books and paintbrushes connect the scene to the process of studying and creating art, while the flowers introduce brighter colors and a sense of life. I paid attention to the different textures of each object, especially the smooth surface of the sculpture, the reflections in the glass vase, and the folds of the fabric.

Working from a real-life reference challenged me to observe the objects carefully and translate what I saw into acrylic paint. I focused on color relationships, proportions, light, and shadow to create depth and make the objects feel three-dimensional. The contrast between the red flowers and green vase adds visual interest, while the warm pinks, browns, and muted tones of the fabric help connect the composition.

“To me, creating art involves finding a balance between observation and imagination.”

I chose the title Between Studies and Imagination because I see a connection between learning the fundamentals of art and developing an individual creative voice. The classical bust represents the study of traditional art, form, and proportion. The books suggest knowledge and learning, while the paintbrushes represent experimentation and the freedom to create something personal. The flowers add a natural element that contrasts with the structured appearance of the sculpture.

To me, creating art involves finding a balance between observation and imagination. Studying real objects helps me understand how shapes, colors, and light work, but creativity allows me to look beyond what I see and consider different ways of interpreting the world. This painting reflects that relationship between learning from what already exists and using that knowledge to develop new ideas.

Through this piece, I wanted to show that artistic growth comes from both practice and exploration. By observing a real arrangement and translating it into paint, I was able to focus on the visual details while also thinking about what the objects represent. Ultimately, Between Studies and Imagination reflects my understanding that art is not only about learning techniques, but also about using those techniques to express ideas and develop a personal perspective.

Looking closely

What each object brings to the table

The plaster bust

Tradition · form · proportion

The focal point. Its pale, smooth surface lifts away from the dark green and brown behind it.

The books

Knowledge · learning

A steady base for the paint tubes — study quite literally holding up the tools of making.

The paintbrushes

Experimentation · freedom

Standing in their dark jar, ready for something personal to be made.

The red flowers

Nature · life

Bright, loose and organic against the structured calm of the sculpture.

The green glass

Reflection · contrast

Highlights caught on curved glass, its green set against the red of the blooms.

The draped fabric

Warmth · connection

Folds of pink, brown and muted ochre that tie the whole arrangement together.

Art is not only about learning techniques, but about using them to express ideas and develop a personal perspective.
— From the artist’s statement